{"id":44,"date":"2016-02-01T11:07:44","date_gmt":"2016-02-01T10:07:44","guid":{"rendered":"http:\/\/no-made.net\/?page_id=44"},"modified":"2016-08-17T20:26:40","modified_gmt":"2016-08-17T19:26:40","slug":"staps","status":"publish","type":"page","link":"https:\/\/no-made.net\/index.php\/annales\/les-printemps-2\/staps\/","title":{"rendered":"Staps"},"content":{"rendered":"<p><strong>L\u2019immobilit\u00e9 dans le mouvement<\/strong><\/p>\n<p><span style=\"color: #808080;\"><strong><em>\u00ab\u00a0Il y a le p\u00f4le de celui qui fait une \u0153uvre et le p\u00f4le de celui qui la regarde. Je donne \u00e0 celui qui la regarde autant d\u2019importance qu\u2019\u00e0 celui qui la fait.\u00a0\u00bb<\/em><\/strong><\/span><br \/>\nMarcel Duchamp<br \/>\nEntretiens avec Pierre Cabanne<\/p>\n<p>Ce th\u00e8me met en opposition deux \u00e9tats contradictoires, l\u2019immobilit\u00e9 et le mouvement. Les artistes plasticiens de no-made vont relever le d\u00e9fi de mettre en sc\u00e8ne cette contradiction au sein d\u2019un campus dont le cursus est li\u00e9 essentiellement au mouvement du corps.<br \/>\nCe qui peut para\u00eetre comme une forme oxymorique n\u2019est en fait qu\u2019une r\u00e9alit\u00e9, l\u2019immobilit\u00e9 na\u00eet du mouvement. La contraction extr\u00eame du mouvement engendre un \u00e9tat, l\u2019immobilit\u00e9.<\/p>\n<p>L\u2019immobilit\u00e9 est un \u00e9tat, \u00e9tat de celui ou de ce qui cesse de se mouvoir, \u00e9tat de ce qui reste en suspension et qui peut \u00eatre mesur\u00e9 en fonction d\u2019un rep\u00e8re et notamment du r\u00e9f\u00e9rentiel terrestre.<\/p>\n<p>Une position stable entre deux actions, un point d\u2019\u00e9quilibre avant de basculer vers le mouvement, cet \u00e9tat peut \u00eatre qualifi\u00e9 de point d\u2019immobilit\u00e9.<br \/>\nC\u2019est ce point qui permet de canaliser les \u00e9motions et de d\u00e9passer l\u2019\u00e9motivit\u00e9 pour atteindre la concentration qui donne sa force au mouvement\u00a0: le regard, le souffle, une main, un pied\u2026 et g\u00e9n\u00e8re le d\u00e9passement de soi.<\/p>\n<p>La plupart des \u0153uvres qui seront expos\u00e9es ont un lien avec le mouvement, elles vont l\u2019\u00e9voquer, le repr\u00e9senter, le figurer, le susciter, le sugg\u00e9rer, le symboliser mais tr\u00e8s rarement le cr\u00e9er.<br \/>\nPour le sculpteur repr\u00e9senter le mouvement est un paradoxe. Sculpter la mobilit\u00e9 est en proposer une image, sa repr\u00e9sentation se fige et la fixe dans l\u2019immobilit\u00e9, pour le sculpteur le mouvement r\u00e9side dans l\u2019immobilit\u00e9, le mouvement est potentiellement pr\u00e9sent dans l\u2019immobilit\u00e9.<br \/>\nAlors cette suspension, ce temps d\u2019arr\u00eat convoque le regard, m\u00eame fugace, le regardeur va participer \u00e0 l\u2019\u0153uvre, il en est un des \u00e9l\u00e9ments, il va la situer dans le temps et dans l\u2019espace, lui donner sa place. Il va la rendre mouvante, dynamique.<\/p>\n<p>Denis Gibelin<\/p>\n<p><span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"https:\/\/no-made.net\/wp-content\/uploads\/2016\/02\/dossier-DE-PRESSE-2016finalDS-1.pdf\" rel=\"\">Le dossier de presse<\/a><\/span><\/p>\n<p>les artistes :<\/p>\n<p><span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"https:\/\/no-made.net\/wp-content\/uploads\/2016\/02\/annexe-2-artistes.-compress\u00e9.pdf\" rel=\"\">Les 12 projets<\/a>\u00a0<\/span><\/p>\n<p>L&rsquo;exposition :<\/p>\n<p><a href=\"https:\/\/no-made.net\/index.php\/annales\/les-printemps-2\/staps\/lexposition\/\"><span style=\"color: #333399;\">La visite<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019immobilit\u00e9 dans le mouvement \u00ab\u00a0Il y a le p\u00f4le de celui qui fait une \u0153uvre et le p\u00f4le de celui qui la regarde. Je donne \u00e0 celui qui la regarde autant d\u2019importance qu\u2019\u00e0 celui qui la fait.\u00a0\u00bb Marcel Duchamp Entretiens avec Pierre Cabanne Ce th\u00e8me met en opposition deux \u00e9tats contradictoires, l\u2019immobilit\u00e9 et le mouvement. &hellip; <a href=\"https:\/\/no-made.net\/index.php\/annales\/les-printemps-2\/staps\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Staps<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":180,"parent":188,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7iEVt-I","jetpack-related-posts":[{"id":287,"url":"https:\/\/no-made.net\/index.php\/poursuite-cap-dail-2016\/","url_meta":{"origin":44,"position":0},"title":"2016 : PourSuitE","author":"no-made","date":"18 ao\u00fbt 2016","format":false,"excerpt":"\u00a0Septembre L'exposition est ouverte. 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